Choo Choo

I've been away from the blog for a few weeks, as I was at a conference, and then studio reno-ing (more on that another day) and then Supercrawl. A start of a busy September indeed!

Hamilton mugs! 

Hamilton mugs! 

Now that I'm back in the swing of things (and the fire bans have been lifted), I've stuffed my van with pots and have headed up north to start firing for the holiday season! This is my first time firing a train kiln, a kiln design that looks like a train car, and when fired correctly should make that warm and cozy chugging sound. My kind of sound. 

Pots unpacked and ready to be loaded

Pots unpacked and ready to be loaded

This firing is particularly special, as it is the last firing this kiln will ever see! After unloading next week, Duncan Aird and I will be tearing her down, and giving the bricks a new life in our very own kiln back down in the Hammer! Buildings are underway and we're hoping to have the beauty built before Christmas. 

So I'm up here toasting this sweet kiln many thanks, with good company, and good food, and looking forward to many firings ahead!

Jeff Martens, loading the kiln like a boss. 

Jeff Martens, loading the kiln like a boss. 

Stacked.  

Stacked.  

The Potter's Market

My favourite show of the year is coming up next weekend (May 30-31) in Guelph, ON.
The Potter's Market is a show of over 50 potters from across Ontario and Quebec. We set up in the beautiful ruins at Goldie Mill park, where there is great music, delicious refreshments and a fantastic view! This is an exceptional show of many very talented artists - give yourself a treat and take the drive to Goldie Mill and check out this fantastic show!

Holiday Sale / Open House 2014

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Our annual Holiday Sale is this coming weekend (December 6/7) from 10am - 4pm both days. We have been working tirelessly to set up a great shop space filled with handmade gifts by local artists. At the sale you will find beautifully crafted bags, scarves and pencil cases by Toronto-based textile designer Fionna Hanna, quirky and thought-provoking original artworks by fellow Hamiltonians Sean Gadoury and Caitlin Eady, hand illustrated letterpress cards by Papillon Press (Westmount ON), and of course, lots of quality porcelain pottery by yours truly. Along with several sizes and shapes of mugs and bowls, this year I've designed brie bakers, serving trays, wine cups, spoons, creamers and more - you will find something for everyone!

Come visit and cross some of those names off your shopping list, check out the new studio and enjoy some refreshments!

Thank you for shopping handmade this holiday season, and for supporting your local artists. (:

The Crawl

I've been an official Hamiltonian since February when we moved into the old general store, but I never truly felt one with the Hammer folk until September's annual Supercrawl. I must begin by expressing my love for Hamilton - I have long been a fan of this city and the people in it. I have fostered many relationships at the Ben Thanh, enriched my life through programming at Cathedral Place on James St N, and the monthly art crawls are always on my calendar. The city is full of life and love, excitement, entertainment and best of all, art.

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"Art is the new steel!" they say of Hamilton, ON. Once the home to a booming steel industry, the city is now a hub of arts culture and events, live music, street performance and craft beer. It is home to hundreds of galleries, vintage clothing shops and specialty food stores that sell cupcakes, organic goods and vegan smoothies. Every month James St N hosts an art "crawl" where the studio artists open their doors to the public, galleries put on sweet spreads, buskers serenade the passersby and vendors spread their wares across picnic blankets.

In September, the street completely shuts down to host Supercrawl, a weekend long crawl that brings in traffic from across Ontario. This is the crawl of all crawls. Art is hung on every alleyway wall, fences are decorated with chalk art and graffiti murals, large installations take up intersections and at night there are acrobats riding giant tricycles that shoot flames into the sky. Over 150,000 people descended up downtown Hamilton to share the experience. supercrawl I had a booth this year, to start my relationship with the city as a TRUE Hamiltonian. The feedback from the crowds was excellent, the weather (if chilly) was merciful, and I even got to play some music with my band inside the beautiful Cathedral.

Thanks to everyone who helped make Supercrawl an enjoyable and successful event!

Old Milwaukee

I'm sitting in the B&B at Pinecroft Centre for the Arts, waiting for my shift to stoke the wood kiln. - my fellow woodfirers are either on shift, wandering the property, or making lunch. So I thought I would take this much needed, FORCED down time to catch up on some blogging that has been neglected. (Sorry, again, for being such a brutal blogger).Last month was the 48th annual NCECA conference in Milwaukee, Wisconsin. For the third time, I flew down to the States to spend a week in a hub of clay related enthusiasm, education, celebration, and engagement. I finally got the chance to see Emily Schroeder Willis' work in person, purchase a few new pieces for my collection, and touch a LOT of pots. Some of the highlights for me included the National Juried Exhibition "Flow" that was installed at the Milwaukee Art Museum, the Gallery Expo (being able to touch pots is always a highlight) and the exhibition put on by the Archie Bray Foundation.

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The week is magical, but I always leave NCECA with a mixture of emotions: inspired, motivated, depressed, frustrated, euphoric... the list continues. Experiencing such a large amount of clay work in such a small period of time is WONDERFUL in so many ways. Through looking at work up close and personal I can try to understand how they were made - what techniques of process were used, what conceptual ideas were at play. The opportunities to learn and discover are endless, helped along by the fantastic panel discussions and speakers.

For me, there is also a sadness that comes along with the territory. There are feelings of incompetence and failure, herded along by loneliness, "nobody-ness", and confusion. I leave the week with questions running through my head like a hamster on a wheel. They are cyclical, never ending:

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What do I need to do to make work of this calibre? What skills do I need to learn? What level of education is most necessary? What am I doing wrong? Or right? and How can I feel comfortable with the work I make now, at this point in my life? How can I accept that growth is a process, and a long one at that?

When I come back from NCECA I feel a little empty, and at a loss for what I SHOULD make, and where I SHOULD be taking my career. I end up spending days cleaning the studio instead of making work. I organize my glazing area, I mop and soak the tables, I stack wood and water the plants, and pace. I stand in the middle of the room, with my hands over my mouth and pace, and stare.