Video - Robin Dupont

Robin Dupont is a ceramic artist from British Columbia who specializes in wood fired pottery. He was nominated for the RBC Emerging Artist Award in 2013 at the Gardiner Museum in Toronto. Each of the artists nominated for this award had to make a video to be played during the exhibition. Robin was the only potter nominated for this award, and his video sums up my love for making, wood firing, and designing objects to be used. I particularly love how he talks about how he is collaborating with food, and drink, and flowers. What a humbling way to think about one's artwork. Enjoy!

[youtube=http://www.youtube.com/watch?v=7D4Wlag1zIA&w=420&h=315]

Working Towards The End

The school term is winding down, and yet I feel busier than I have all year. The final semester for the graduating class means three shows and three show openings to plan, critiques to look forward to, and the beginning of our lives as entrepreneurs. Today was my last official college class, and it feels great. But unlike students in other departments and other years, we are not finished yet. Our next two shows are not until the end of April, and so we will be spending the coming weeks making work and coming to terms with the end of our student careers (at least for the time being). The past week has been a whirlwind of excitement and anxiety, a rollercoaster of highs and lows. Last Thursday was our opening at the Gardiner Museum in Toronto. Over 150 people came to celebrate with us as we presented our work to the public for the first time. It was a lovely evening; moving speeches were made by the faculty and students and an overwhelming energy took hold of the building and all its occupants. We almost needed to kick people out, the building was full to the brim. I have rarely felt so high.

The days after an opening, however, are full of lows. All of the thought, energy, and suspense that surrounded the event came abruptly to a halt, and a disturbing silence followed. Thankfully, my weekend was still packed with many activities. The next two days I worked at PSH and spent hours in the studio, keeping myself busy. I even kept my hands busy once I was home, and made pinch pots while I watched some pottery videos. On Sunday I attended Craftstock, a new monthly pop-up shop in downtown Hamilton. Despite the raging winds, many Hamiltonians made it out to the event and helped support the growing local art scene. What a lovely group of people to spend a Sunday afternoon with.

My friend Ioni did a feature about my work on his blog - he attended the event at the Gardiner and took photographs (something I didn't have the time or mentality to do in such a busy environment). To check them out, visit his website . The photographs below highlight some of my pieces at the Gardiner Museum. (photo cred: Ionatan Waisgluss)[gallery type="square" ids="548,549,550"]

Playing Curator

IMG_1733Over the past week my studio mates and I have been anxiously (and frantically) preparing for our upcoming show at the Gardiner Museum, Toronto. An annual event, the Gardiner show is cause for celebration, pride and anxiety among all graduates in the Ceramics program. Not only will we be presenting our current work in public for the FIRST TIME, but it's at the only Canadian museum dedicated to Ceramic Art. Making work for the exhibition, though important, is not the only cause for fluster in the studio. We've also been working on developing our promotional material. This week we have "played graphic designer", fiddling away for hours on Adobe Illustrator and Photoshop and diving into the worlds of typography, dimensions and the digital layout. Last night I must have looked at my name in over 200 fonts, in a variety of pt. sizes and colours. The variety never ends, and it is overwhelming.

We have also been "playing curator" in our studio, marking out dimensions of the show space on the floor while navigating around wedging tables, damp closets and throwing wheels. We have tacks on the wall with plinth heights, paper templates of the plinth dimensions on the floor, and an Excel spreadsheet so we can even continue playing with floor plans when we are at home in bed.

IMG_1737

Monday morning we marked out our floor plan in chalk and started to lay our work out, in order to imagine the space. The time change and early morning may have been a factor, but I felt as if I were in a life size version of a Sims game, where the furniture keeps rearranging.  There were nine of us shifting around "plinths" here and there, pulling out the measuring tape and tiptoeing around fragile ceramics on the floor. Our print out of the Excel spreadsheet had us moving around miniature cut outs of plinths and playing lego with them on the table. Chaos would be an understatement.

Though eternally frustrating, the process was helpful. We were able to better visualize the space, and account for room between plinths to move around. After a few hours we had settled on a floor plan, where everyone's work would be and what height they would look best at. I guess real curators do this too.

gardiner logoOur graduate show will be at the Gardiner Museum in Toronto, Ontario from April 4th - April 18th. The opening (where you can meet myself, my studio mates and have free food and drink) is April 4th from 6-8pm. The opening will be a great time to network, learn about the artists and talk to us about our work!

gardiner